There aren’t too many productions from television that one can call “suitable,” but Ken Burns’ The Civil War qualifies. Burns uses photographs, music, speech, maps and historical context to snarl the epic of the second most formative event in the nation’s history. And since in those days people wrote…diaries, letters, journals…there is the written relate not honest of the tall leaders, the politicians and generals, but of the wives and sweethearts, the nurses and doctors, newspaper editors and farmers. Most of all there are the words of the soldiers. Burns shows the importance and the sweep of the war, but in piece he does it through the lives of average people caught up in events they may not have completely comprehended, but which they believed in.
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If the words themselves have power, so do the voices. Burns recruited mammoth voices, some actors, some not, to impart the words, distinctive voices that give huge resonance to what we examine. Julie Harris as Mary Chestnut, Charlie McDowell, a Virginia reporter, as Sam Watkins, Arthur Miller as William Sherman, Jason Robards as Grant, Studs Terkel as Benjamin Butler, Sam Waterston as Lincoln, and many others. He has David McCullough as the narrator. McCullough, an outstanding historian and writer, does a improbable job. Burns also uses a number of historians to underline key points. Foremost, in my conception, is Shelby Foote. Foote is the author of the record three-volume Civil War. With his Southern accent, well-liked sense and soft irony, he’s a gripping raconteur.
The program is never dry or insensible. It is bewitching and emotional. Both sides felt they were fighting for a pure cause. What is particularly touching is that, as a people, we had not yet lost remarkable of the capacity for simple, unadorned, unembarrassed feelings, whether it be patriotism for one’s country or adore for one’s wife. I challenge anyone to read this letter from Sullivan Ballou, a 32-year-old soldier in the Union Army, to his 24-year-old wife, and not sit apprehensive with emotion. Ballou was killed in the first battle of Bull Race a week later.
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July 14, 1861
Camp Clark, Washington
My very dear Sarah:
The indications are very strong that we shall proceed in a few days-perhaps tomorrow. Lest I should not be able to write again, I feel impelled to write a few lines that may descend under your leer when I shall be no more . . .
I have no misgivings about, or lack of confidence in the cause in which I am engaged, and my courage does not terminate or falter. I know how strongly American Civilization now leans on the triumph of the Government and how broad a debt we owe to those who went before us through the blood and sufferings of the Revolution. And I am willing-perfectly willing-to lay down all my joys in this life, to support hold this Government, and to pay that debt . . .
Sarah my fancy for you is deathless, it seems to bind me with remarkable cables that nothing but Omnipotence could break; and yet my worship of Country comes over me like a strong wind and bears me unresistibly on with all these chains to the battle field.
The memories of the happy moments I have spent with you approach creeping over me, and I feel most happy to God and to you that I have enjoyed them for so long. And hard it is for me to give them up and burn to ashes the hopes of future years, when, God willing, we might smooth have lived and loved together, and seen our sons grown up to suitable manhood, around us. I have, I know, but few and diminutive claims upon Divine Providence, but something whispers to me-perhaps it is the wafted prayer of my puny Edgar, that I shall return to my loved ones unharmed. If I do not my dear Sarah, never forget how powerful I esteem you, and when my last breath escapes me on the battle field, it will disclose your name. Forgive my many faults and the many concern I have caused you. How thoughtless and foolish I have often times been! How gladly would I wash out with my tears every cramped space upon your happiness . . .
But, O Sarah! If the expressionless can near succor to this earth and waft unseen around those they loved, I shall always be come you; in the gladdest days and in the darkest nights . . . always, always, and if there be a soft travel upon your cheek, it shall be my breath, as the chilly air fans your throbbing temple, it shall be my spirit passing by. Sarah do not mourn me dead; contemplate I am gone and wait for thee, for we shall meet again . . .
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The program flows over 11 hours on five discs. In addition to the documentary, the discs are stuffed with background information…maps, documents, biographies and additional interviews. This is a ample production and is worth every penny.
Ken Burns has established himself as one of the greats in terms of historical documentaries. The Civil War is Mr. Burns’ greatest work. The attention to detail brings the history to life. Mr. Burns does an advantageous job of bringing humanity to the tragic time in America. With the exhaust of solder’s and family letters it is evident what a difficult time it was to be an American. Originally aired on PBS in September of 1990, nearly fifteen years later the series remains the ultimate yarn about the United States darkest time.
The series is finally released on DVD. While the trace is a dinky high the fabulous quality of the series makes the cost very reasonable. Ken Burns’ Civil War is required for any Civil War historian’s collection. The series is also a ample device for those wishing to learn more about the Civil War. I would recommend this to anyone that loves historical documentaries. It does not come by any better than The Civil War - A Film by Ken Burns.
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